However i would normally pan the highest pitched tom hard left middle pitched tom somewhere around center adjusted slightly for volume phase and the floor tom hard right.
Floor tom panning.
Toms are an interesting part of the kit that often add flare and excitement to a drum track just look at the intro to enter sandman by metallica or the fill before the chorus of africa by toto.
Panning the glyn johns way.
If it sounds good roll with it.
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Higher rack toms don t rely on the thump as compared to floor and resonant rack toms.
50hz to 100hz is a good start.
Just like the kick drum remove a pretty big portion of the 200hz to 400hz region.
Simply panning one left by 40 and the other right by 40 can help to free up mix room.
Start with a high pass filter and cut the low low end.
The table below suggests some commonly used positions.
Like with every aspect of mixing it is best to experiment and use your ears.
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Lately i have been really into the sound of mono drums.
If your tom drums are lacking thump then make a boost around 100hz 250hz.
Year old kubota rtv 900 had seen some better days.
Mixing toms eq goes first.
There are no absolute rules for panning.
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I try to avoid drummers that have more than a 5 piece kit and only smile when a 4 shows up.
This is great for softer rock or blues.
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They are probably also the area of the drum kit that will give you the most grief.
You can adjust your filter depending on how the tom was recorded and how fat the tom is the floor tom is the fattest.
If you position a great large diaphragm tube microphone over the ride and floor tom along with one tube mic as an overhead above the whole kit favoring the snare you ll get a nice rounded image.
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